Skip to main content

Azumi



Recently watched Azumi.

My one word review: "Blows."

My review involving a few more words:

"Imagine a Japan peopled by walking cardboard-cutout stereotypes. Imagine a Japan where the same people that brought you the Backstreet Boys, N Sync and Brittney Spears bring you a fresh new act of young faces, singing... Er, assassinating their way to the top.

An old priest tells a scarred warrior that to end violence, it'd be best if he'd go out into the wilderness, choose ten orphans, and make them into the next Backstreet Boys, er, assassins and have them kill off warlords that want to plunge the land into chaos.

It's hackneyed. It's just bad. It's like watching Seven Samurai filtered through the eyes of Lou Pearlman.

The acting is wooden. There is no characterization beyond the stereotypes the characters represent. Even the fight choreography is dreck - all the fancy editing in the world can't conceal the fact that the pop-stars, er, assassins are probably better at swinging a baseball bat than they are at swinging a sword. If you edited a baseball bat into their hands, what you see on the screen would actually make a lot more sense at times, come to think of it...

Worst of all, it was boring.

I turned the movie off halfway though. Reading other reviews on IMDB, it apparently only got worse, so I count myself lucky.

Comments

Popular posts from this blog

Max Payne: The Movie - A Review

It all started innocently enough back in '01. Some company named 'Rockstar' put out a video game. It was like playing a cross between the best cliches of pulp detective novels and a combat system right out of the Matrix films. Some crazy fool turned it into a movie, and after seeing it tonight, I came to a few conclusions. One, the first video game was better than this movie. Two, this movie was still better than the second video game in the Max Payne series. Three, a few punches can put Max Payne in a hospital bed, but he can laugh off a shotgun blast to the chest from three feet away. If you're reading this, all you care about is 'should I bother seeing it or not?'. The short answer is, if you like stuff being shot up reaaaal good, go see it! If you're interested only in seeing Oscar-worthy movies, you'll probably want to skip this one. And for those of you sticking around for my humorous take on the movie... Max Payne is a man with a past. We know thi...

The Hunger Games: A movie review

If I was to describe the hunger games in a single word, yes I know this is becoming a habit with me, it would be this:  Stark.  Having read the entire hunger games trilogy, I feel that this is appropriate, but does not necessarily make for the best movie.  Let me clarify though:  the very austere and even severe impression that I get from the movie isn't bad, it just isn't fun.  Interesting, compelling, provocative yes, but fun, no. A brief word to those that are fans of the series:  the movie is fine.  Structurally there isn't anything wrong with it and all the most critical details are left intact, as they had damn well better be if these people hope to make a trilogy out of this.  Being a fan of the series myself and having read all the books, I notice the glaring differences where small or large details have been left out and while I'm not thrilled, it didn't prove to be a deal breaker either.  On the whole, I would say...

Public Enemies: The Cinephile's Enemy

I'm with on the false advertising in trailers thing: I think that studios that snooker you into the theater via false advertising in their trailers ought to have to pay out punitive damages in a class action lawsuit. All of the good shots of Public Enemies was in the trailer. Michael Mann owes me $10.50 for a midnight ticket after being drawn, beaten, horsewhipped, set on fire and quartered. I demand that Universal personally send Johnny Depp with my refund check, even though he and Christian Bale were the only things right wit the movie. There's very little good to say about this movie. I can't recall a lick of the score because it all sounded like source music. The only recognizable piece of music in the film is Otis Taylor's Ten Million Slaves which, if you don't buy the linked single, you get forced into buying the the whole damned album . For whatever insane reason, Director Michael Mann decided to film on cheap digital cameras.It's impossible to tell ...