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Introducing Professor Tom

Professor Tom has kindly joined the blog, and given how often I manage to write a new movie review, this is definitely a good thing. He's someone that can write a good entertaining review that isn't the equivalent of a scene-by-scene post-mortem by the assistant director or a lovely informative one-liner like "THIS MOVIE RAWKS! GO SEE IT!"

Montag's Movie Reviews - we'll make you laugh, and we'll make you laugh even harder after you've seen the movie or your money back.

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Max Payne: The Movie - A Review

It all started innocently enough back in '01. Some company named 'Rockstar' put out a video game. It was like playing a cross between the best cliches of pulp detective novels and a combat system right out of the Matrix films. Some crazy fool turned it into a movie, and after seeing it tonight, I came to a few conclusions. One, the first video game was better than this movie. Two, this movie was still better than the second video game in the Max Payne series. Three, a few punches can put Max Payne in a hospital bed, but he can laugh off a shotgun blast to the chest from three feet away. If you're reading this, all you care about is 'should I bother seeing it or not?'. The short answer is, if you like stuff being shot up reaaaal good, go see it! If you're interested only in seeing Oscar-worthy movies, you'll probably want to skip this one. And for those of you sticking around for my humorous take on the movie... Max Payne is a man with a past. We know thi

Public Enemies: The Cinephile's Enemy

I'm with on the false advertising in trailers thing: I think that studios that snooker you into the theater via false advertising in their trailers ought to have to pay out punitive damages in a class action lawsuit. All of the good shots of Public Enemies was in the trailer. Michael Mann owes me $10.50 for a midnight ticket after being drawn, beaten, horsewhipped, set on fire and quartered. I demand that Universal personally send Johnny Depp with my refund check, even though he and Christian Bale were the only things right wit the movie. There's very little good to say about this movie. I can't recall a lick of the score because it all sounded like source music. The only recognizable piece of music in the film is Otis Taylor's Ten Million Slaves which, if you don't buy the linked single, you get forced into buying the the whole damned album . For whatever insane reason, Director Michael Mann decided to film on cheap digital cameras.It's impossible to tell

Green Lantern: Made of Fail

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